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cardiff, united kingdom
It's currently 2:13 PM here
Joined July 15, 2016
1 Recommendation
Fedor T.
@FedorTot
3.1
3.1
100%
100%
cardiff, united kingdom
100%
Jobs Completed
100%
On Budget
100%
On Time
25%
Repeat Hire Rate
Editor, proofreader, writer, journalist
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Reviews
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Showing 1 - 4 out of 4 reviews
£249.90 GBP
Proofreading
Editing
Research Writing
English (UK) Translator
English Grammar
E
•
$15.00 USD
Translation
Research
Proofreading
Editing
Reviews
+1 more
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$30.00 USD
Translation
Research
Proofreading
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Reviews
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$10.00 USD
Translation
Research
Proofreading
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•
Experience
Editor and Content Creator
May 2019 - Present
Helping SMEs effectively leverage social media to reach their customers online and strengthen their company profile:
- Implementing social media strategies for customers in a variety of sectors.
- In-depth client research covering industry themes, online presence, brand values, brand voice, and more
- Creating, curating, and scheduling high quality social media content
- Proofreading scheduled social media posts
- Performing quality checks on copy, imagery, and links
Freelance Proofreader
Sep 2017 - Present
Academic proofreading, predominantly for Chinese students studying in English-language universities.
Editor
Oct 2017 - Nov 2019 (2 years, 1 month)
Editor of Buzz Magazine, a Cardiff-based culture and what's on magazine covering the South Wales region. Role required organisational abilities, excellent English and communication skills, and a good human touch.
Education
Curating - Masters
(Less than a year)
First class degree, History
(3 years)
Qualifications
Bachelor of Arts in History
University of East Anglia
2016
History degree focusing largely on modern European history, with a dissertation on Croatian, Bosnian and Serbian cinema in the 21st century.
Achieved a 1st overall.
Publications
Why Criticism: Film as a Business First and an Artform Second
Vague Visages
A call to reframe how film criticism is looked at.
Emir Kusturica's Underground, 25 Years On
Vague Visages
A look back at the director's Palme D'or winning film.
This Sunny Bosnian Comedy Unpacks the Perils of Homecoming
Calvert Journal
A look at Ena Sendijarevic's Take Me Somewhere Nice
Marble Ass, Yugoslavia's First Openly Queer Film Turns 25. Here's Why You Need to Watch It
Calvert Journal
A historical overview of Marble Ass, a masterpiece of Balkan filmmaking. Original research, with an interview conducted with the director.
Carol Morley in Conversation
Wales Arts Review
Out of Blue and The Falling director in conversation.
Speaking with Iris Prize's Berwyn Rowland
BFI Network
A look at Cardiff's Iris Prize, the biggest film festival in Wales and one of the biggest LGBT+ film festivals in the UK, and an interview with its founder as to how the festival serves to help young filmmakers.
An Interview with Mohsen Makhmalbaf
Bright Wall/Dark Room
An interview with legendary Iranian filmmaker Mohsen Makhmalbaf
If Anyone Can, Bata Can
Bright Wall/Dark Room
A profile on the Yugoslav actor Velimir 'Bata' Zivojinovic
From Emir to Enemy and Back Again
Bright Wall/Dark Room
A long-form essay on my changing reactions to the work of Emir Kusturica
Buzz Magazine
Buzz Publishers Limited
Editor of Buzz Magazine since October 2017. For archive, see here: https://issuu.com/buzzmagsouthwales
Steven Spielberg: America's Most Important Historian?
Bright Wall/Dark Room
As he's matured, Steven Spielberg has more often leaned towards grand historical works instead of the lighter entertainments that characterised his breakthrough hits in the 1970s. Due to the immense popularity of his films, this means that his vision of history is often the most influential, far more so than the work of dutiful scholars buried in dusty archives.
Notes on the Decline of Serbia's Exit Festival
balkanist.net
An investigation into the decline of Exit Festival, the biggest of its kind in Serbia. Once at the forefront of protest against the authoritarian Milosevic regime, it has since devolved into a dull corporate event that sidelines local bars and businesses and damages the historic fortress on which it is held.
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