Audio enhancement, speech enhancement or forensic audio.

The sample provided was the best I could. I did 2 formats, more agressive, where mosty vowels were preserved, and the second one that has more background noise but still spares some of the consonants. Link: [login to view URL] Note that the file provided is 1 minute long, I'm including both 30s one after another. For the 28 minutes total I would finish it still in under a day, I would say around 3~4 hours of work for me. If you have extra audio to spare, even if it's just background noise, it's still useful for me. PS: the metalic sound left, part of the background noise, might not be nice to be exposted for too long. Consider 20 minutes break every 20 minutes. Personal experience. Your ears will thank you. ;)

Dear employer, I'm an audio specialist, audio engineer & producer. i have been doing audio mixing, editing, mastering from last seven years. please take a look to my portfolio & reviews. looking forward to work with you. there is no file attaching option for freelancers while bidding. we can discuss details on chat. waiting for your response. have a nice day :)

As an International Music Artist, Songwriter, Composer, Producer & Sound Engineer; I can give you the high quality work that you are searching for. My Recording and Mixing Certificate, I got it in a International Music Festival (FIMVEN), in which I had as a tutor to: Yein González (from Daniel E. & Yein G., Producers and 2010's Latin GRAMMY winners). I can do all that you need with the best High Quality Sound you could find, i work on FL Studio 12 Professional with an WAV bit depth of 16Bit int and a Quality Resampling of 128-point sinc. *I would like to know more about your project before you hire my services, for this message box does not allow us to attach any files. As soon as I get a message from you. I would be pleased to send you the preview of what would be our project. See you soon

Contact me for info

I specialize in Sound Design Forensic Audio, and Film Post Production, having done Sound Design and Mixing for numerous features, short films, and documentaries. I have also worked in Music Production, Audio Restoration, and Radio Production. I’ve done spoken word recordings, and recorded and edited interviews with Jimmy Webb, George Plimpton, Julie Andrews, Rick Moody, and many others. I have also performed digital restoration to the soundtracks of such noteworthy films as Jean-Luc Godard’s Breathless, Jean-Pierre Melville’s Le Cercle Rouge, and Federico Fellini’s Amarcord. It has been my good fortune, in my career to date, to have frequently been involved in projects which allow me to utilize my knowledge of (and love for) film and music. My experience in these areas has proved essential, and has provided me with the language and skills to meet the needs of clients in a wide range of disparate arenas.